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Renata crouched on stones in a forest stream, hooded in gold mesh, holding its long knotted tails over the water.
Renata in profile against faded hand-painted floral wallpaper, a gold mesh veil over her head and a sage silk dress.

Lookbook · Two chapters

Two worlds,
one thread.

I. The Forest — moss, water, light. II. The Salon — painted walls and sage silk.

Chapter I

The Forest

Photographed on a summer morning among pines and moss, by a stream so cold it hurt. The mesh was wet by the end — which is when it looked most like itself.
Renata seated on a mossy boulder in a pine forest, face turned up into a shaft of sunlight, a gold mesh veil falling down her back.
I.1Moss Veil, turned toward the light.
Close-up of the gold mesh veil glinting in forest sunlight.
I.2Sequins, or dew — hard to tell.
Renata crouched on stones in a forest stream, hooded in gold mesh, holding its long knotted tails over the water.
I.3Dew Net, at the river.
Close-up of the knotted gold mesh across a shoulder, sequins catching the light.
I.4A web across the shoulder.
Renata sitting on moss beneath tall pines, looking down at the gold mesh in her hands.
I.5Sitting with the work.
Hands working the loose gold mesh on a mossy rock.
I.6Hands, thread, moss.

“It has to catch the light, and it has to move. Everything else is negotiable.”

— Renata, on making

Chapter II

The Salon

Indoors, against walls painted by hand long ago. Sage silk, faded leaves, afternoon light — the same thread turning quiet and old-world.
Renata in profile against faded hand-painted floral wallpaper, a gold mesh veil over her head and a sage silk dress.
II.1Salon Sage, in profile.
Close-up of the gold mesh veil framing Renata's face against painted wallpaper.
II.2A veil, and a look back.
Renata leaning on painted wallpaper, gold mesh draped as a hood and shoulder cape with long tails.
II.3Worn as a hood and cape.
Close-up of the mesh worn as a shoulder cape over sage silk, knotted like a spider's web.
II.4Knotted like a spider's web.

End of the lookbook

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